Who is the voice of AUTO in WALL-E?

MacInTalkWALL·E
AUTO/Voiced by

What does AUTO in WALL-E do?

WALL•E. AUTO is a robot built by the Buy N Large Corporation and designed to function as the autopilot aboard the Axiom. Like other autopilots, he is shaped like a sailing ship’s steering wheel and assists a ship’s captain with his or her duties. Due to his programming, AUTO works against Captain B.

How long does WALL-E go without talking?

The first 40 minutes or so of “Wall-E” — in which barely any dialogue is spoken, and almost no human figures appear on screen — is a cinematic poem of such wit and beauty that its darker implications may take a while to sink in.

Is there any talking in WALL-E?

WALL-E has minimal dialogue in its early sequences; many of the characters do not have voices, but instead communicate with body language and robotic sounds designed by Burtt. It is also Pixar’s first animated film with segments featuring live-action characters.

Is AUTO evil in WALL-E?

AUTO is one of the few Disney and Pixar villains to never actually be inherently evil – only acting on orders that he had received. Even his attempted murder of WALL-E was not out of malice. The code AUTO gets to never return to Earth is A-113, a code used in many other Pixar films.

How much dialogue is WALL-E?

Wall-E is Pixar’s most sustained and arguably most successful experiment in employing this radical narrative simplicity. For the first twenty minutes of the movie, there’s basically no spoken dialogue, only recorded human voices echoing around a long-abandoned Earth.

Is WALL-E silent?

The first hour of Wall-E is a crazily inventive, deliriously engaging and almost wordless silent comedy of the sort that Charlie Chaplin and Buster Keaton used to make. There’s actually a nice parallel between this largely silent film and Chaplin’s first sound film, Modern Times.

Why is there no talking in WALL-E?

In Wall-E’s reality, there isn’t any dialogue because there’s no longer anyone to talk to, to talk with. Wall-E shares a kinship with Keaton and Chaplin that goes beyond his movements and mannerisms—in short, he is an artist.